Walt shared the video with me this morning, and it got me kind of teary, seeing all these musicians of all ages and backgrounds and levels of professional status in the same space, sharing their art and making something wonderful together as a little community.
Writing and publishing as a career can be hard. But one thing I’m always grateful for–the people. I’m so grateful to be part of a community of writers and readers and librarians and educators and bloggers and fans. From across the world, from all kinds of backgrounds, from major bestselling authors to first draft-ers, from experienced bloggers to people who have just found YA, it’s uplifting and exciting to share our stories and our experiences, either in person or online.
So no matter where you are in your writing journey or your reading life, thank you for being part of this community. Your voice matters.
I’m always a little baffled when people try to make a big conspiracy theory around Shakespeare. (See also Truman Capote writing To Kill a Mockingbird instead of Harper Lee.) Let the dude have his work!
Also, this is good proof that a writer’s voice is a real thing. Even though Shakespeare wrote sonnets, historical dramas, fantastical comedies, and more, all his works have his particular tone and style.
Maybe you’re not Shakespeare, but you have your own writerly voice. Someone else can be writing about spooky ghosts or family dramas or adventures in space, but your voice is all your own, and that’s part of what makes everything you write unique.
“Likeablity” is a big issue for YA writers and readers. Teen characters, especially teen girl characters, are easily judged for being ‘annoying’ or ‘bitchy’ or for making bad choices–which is how teens and people in general are in real life. We make bad choices, we complain, we say the wrong thing at the wrong time, and that’s part of what makes us human. Even more importantly, it’s a place from which we can grow and learn from these mistakes. YA is all about growing and learning and becoming the person you’re going to be for the rest of your life. Why should that always be ‘likeable?’
In the post, I include a reference to The Whale and teen character Ellie, one of the most unlikeable and most pained teen characters I’ve seen. Although The Whale is decidedly not YA, when I saw the play and heard audience reaction to how unlikeable and seemingly irredeemable Ellie is, I really wanted to have the opportunity to defend her. She’s a mean person who does/says some awful things, but all of her cruelty comes from a place of sadness and anger and grief and isolation. I hope more readers and viewers can take the opportunity to asses characters like Ellie (again, especially teen girl characters) and understand what makes them mean or annoying or frustrating.
Ellen Oh and Tanita Davis have excellent posts up about the sad state of diversity in children’s books (both in terms of authors/illustrators and characters). More posts on this important issue at bookshelves of doom.
Things I like: Shakespeare. Joss Whedon. Last night I got to see both combined in the latest Much Ado About Nothing movie. It was so much fun! I went with my friend, Hannah, with whom I also saw Joss Whedon in person. (Needless to say, we were both way excited.) Obviously the only way to share our excitement is through a Joss Whedon-based gif movie review.
Spoiler alerts–but seriously, guys, the play is a few hundred years old.
My feelings about the cast:
The set, aka Joss Whedon’s house:
All the banter:
Everyone after the big party:
Don John setting up Hero:
Beatrice asking Benedick to fight Claudio:
What I want to tell Hero:
And of course Nathan Fillion being hilarious:
How I felt after the movie:
In all seriousness, it was really cool being in a movie theater full of people laughing out loud at one of Shakespeare’s plays. It’s a great example of how stories can transcend time and location. Human drama and romance and comedy touch all of us. And if those stories can costar Nathan Fillion, bonus.